Treasure Trove

Material: porcelain

Specification: H16 x D5.5cm [Waist - 35] (±3%)

In the late Ming Dynasty, about 400 years ago, there is a painted story about the official seals presented to the previous dynasty. The artwork is exquisitely detailed, with fine brushstrokes and intricate craftsmanship, resulting in a magnificent and stunning piece.

With the compassionate blessing of Grandmaster JinBodhi, it has become a rare Feng Shui treasure. Those who are fortunate enough to receive it will be granted great wealth and immense good fortune!

Material: agate

Size: main bead length 1.6cm x width 1.7cm, ring circumference 5.8cm

Ancient  Dzi Beads are the treasures from heaven, containing Universal spiritual essence and magnetic energy.Unique, precious and rare!

The naturally formed pattern of the Heaven's Eye represents the most powerful exorcising eye between heaven and earth. It can purify energy, dispel evil spirits, and provide auspicious protection to the wearer.

*These Agate Beads are natural minerals. The colors and patterns vary. Each one of them is second to none. Only place an order if you truly acknowledge and accept such differences.

Material: Porcelain

Size:H35xD13cm(±3%)

Yuan Dynasty Jun Kiln

Extremely special kaolin, naturally burnt purple-red during the firing process, which brings auspiciousness!

Grandmaster JinBodhi bestows the name”Superior Treasure Vase”Special blessing Those who are predestined to welcome the invitation will be the first, all wishes will come true, and good luck!

Material:paper

Size: W34.5xH34cm

Owner of Caifengtang Qi Mao

Seal: Caifengtang Li Yin Qi Mao

Style: Three Goats Bring Auspiciousness

2012 collection

Seal: Grandmaster JinBodhi Seal

Material:Zisha

Size:About L14xW9xH8 cm

The  Zisha Teapot was crafted by Wu Yueting during the Daoguang period of the late Qing Dynasty, over 150 years ago.

This teapot, cherished in the collection of Grandmaster JinBodhi for many years, has been blessed with compassion. Those who are destined to receive it may use it as a Feng Shui treasure to pass down through generations, ensuring lasting prosperity and fortune!

Material: porcelain

Size:D11xH4 cm

Material: Paper

Size: length 91.5x width 28cm

Ink and color on paper. Signature from the collection of Grandmaster JinBodhi

Title: Sometimes I have passed through flowers and branches. Infinite butterflies make a team to fly. This is written by the Song-like people Lesi method. Lin Huiyin's painting
Seal: Huiyin

Lin Huiyin (1904-1955), a famous Chinese architect and poet. Major participants in the design of the Monument to the People’s Heroes and the deepening of the National Emblem of the People’s Republic of China

【Live excerptMy Treasure Trove (Part 9)| Lin Hui-Yin (1904-1955) Butterfly introduce】

Material: Zisha

Size: L17xW11xH7 cm

Material: Zisha

Size: L10.5xW8xH6 cm

材質：

尺寸：mm

Material:Wood

Size:L 30cm x W 16.5cm x H 18cm (±3%)

This teapot is meticulously crafted from precious fragrant Phoebe (Xiaonan) wood, whose fine grain and subtle aroma have been enriched by decades of natural aging, giving it a warm, smooth texture and a serene, noble presence.
It was personally named “Golden Dragon Treasure Teapot” by Grandmaster Jin Bodhi, symbolizing auspicious protection, abundant wealth, and the flourishing power of the dragon.

Having matured for over twenty years, the vessel now displays a rich, lustrous patina, with delicate wood patterns that shimmer in the light.
Each photograph reveals a radiant golden glow, as if a golden dragon coils upon the surface, filling the space with auspicious energy.

Combining spiritual significance, rare material, and the beauty of time, this is a remarkable heirloom teapot and a true collector’s treasure.

Material: Jade

Specifications: L12.2cm(±3%)

Carved from fine celadon jade, this staff head has a smooth, lustrous texture and a soft gray-green tone, with areas of natural brown patina that lend it an antique charm. The finial is sculpted in the round as a Jiu Bird, a creature revered in ancient China for its gentle nature and auspicious symbolism. The bird features a slightly hooked beak, round eyes, and a long crest flowing backward from the crown. Its wings lie close to the plump body, and both the feathers and tail are finely incised with delicate lines. The tail curls slightly upward, creating a sense of vitality and grace. A round mortise opening beneath allows it to fit onto the shaft of a staff. Compact and refined, the piece radiates warmth and quiet elegance.

The tradition of the Jiu Bird-topped staff (jiu zhang) originated from the “tooth-staff” (chizhang) system of the Zhou dynasty. The bird-form ornament likely evolved from ancient bird-totem worship. Since the pre-Qin era, such staffs symbolized respect, longevity, and virtuous seniority. By the Han dynasty, they had become marks of imperial favor for elders. The Book of the Later Han – Treatise on Rituals records:

In this context, the Jiu Bird embodies longevity, serenity, and auspicious well-being.

This jade staff head exemplifies the superb craftsmanship of Qing-dynasty jade carving and conveys the traditional Chinese reverence for age and virtue. It stands as an artwork of both artistic refinement and profound cultural significance.

Material: Bamboo

Dimensions: Inner diameter 6.8 x 15.8 cm

Signed by Du Shushen (Fangjiao Shanren)
Inscribed: “Night Reading at Luling”

The brush pot remains unpainted, preserving the natural warmth and texture of the bamboo. Its surface is finely polished, showcasing exceptional craftsmanship. The entire piece features a bamboo grove rendered in openwork carving, with two to three layers of depth. The intricate composition reveals banana leaves, pavilions, and vividly depicted figures inside a house, portraying a scholar reading by lamplight in an attic—symbolizing success in the imperial examinations and attainment of official rank.

The inscription bears the signature of Du Shushen (Fangjiao Shanren) and the title “Night Reading at Luling.” Brush pots with carved signatures are exceedingly rare, making this a superb example of refined bamboo carving artistry.

Material: Gilt-Bronze
Dimensions: H9.5 Seal 7x7 cm (±3%)

This finely cast gilt-bronze seal is of substantial weight and lustrous patina, exuding an air of solidity and refinement. The form is square and well-proportioned, surmounted by a mythical beast finial modeled in the traditional auspicious and protective style.

The double-headed beast is shown recumbent, with bulging eyes, rounded snout, and open jaws revealing sharp teeth, conveying strength and vigilance. Its musculature is full and powerful, the posture commanding and dignified. Flowing manes fall neatly along the nape, while the sides of the spine are adorned with delicately rendered spiral curls—details that bring the creature vividly to life. The overall modeling captures a harmonious balance between motion and stillness.

The seal face is incised in zhuanshu (seal script) Tibetan characters. Based on its form and stylistic features, the piece may be identified as a Tibetan Buddhist–style seal. At the center of the seal face, the Tibetan inscription reads “The Great Precious Dharma King.” The dotted border and wave pattern are characteristic of Qing-period Tibetan gold seals, symbolizing radiating divine power and sacred protection. The triple-bead motif at the top and lotus-petal decoration at the base are common sacred symbols in Tibetan Buddhist art, representing the lotus throne and the wisdom of emptiness.

Thoughtfully conceived and exquisitely executed, this seal exemplifies both spiritual symbolism and artistic craftsmanship. The mythical beast is rendered with vitality and presence, embodying majesty and auspicious power. Serving not only as an official seal but also as a refined scholar’s object, it stands as a rare and distinguished example of Qing-dynasty metalwork—an elegant union of gravitas, vitality, and imperial grace.