Search results for 'Grade A Natural Agate Dzi Bead Bracelet'

Material: Paper

Specification:  15.5x8cm

Bodhi Meditation specially prepared “Eastern Lapis Lazuli Pure Land Permanent Residence Pass" for the deceased, symbolizing blessings and protection on the journey to the Eastern Lapis Lazuli Pure Land.

At the time of passing, it is respectfully placed on the body of the departed, signifying guidance for their onward path and prayers for them to be received by the Buddhas and Bodhisattvas, be free from suffering, and attain rebirth in a blessed realm.

Each account is entitled to one free redemption (one piece), with shipping costs to be covered by the recipient.

The Vajra is a sacred implement for subduing negative forces, dispelling disasters, and warding off evil. It symbolizes unwavering determination and the power to break through obstacles, supporting the practitioner in becoming stronger, more resolute, and overcoming all challenges on the path of cultivation.**

**This Vajra is intricately carved from rare *Ya Bai* wood (cliff cypress), known for its dense, fine texture, natural grain, and lasting fragrance. Compassionately blessed by Grandmaster JinBodhi, may those who are destined to receive it be empowered by the boundless wisdom of the Five Dhyani Buddhas, be free from calamities and harm, overcome delusions, and enjoy peace, protection, and auspiciousness
 

Material: Wooden

Size:14 cm (±3%)

The Phurba Vajra Peg features a short, three-edged conical shape, symbolizing the piercing of afflictions, subjugation of demons, and suppression of evil forces. The top of the peg is carved with a wrathful guardian deity, representing fearless power and the ability to destroy evil and remove obstacles.

This compact Vajra Peg has been compassionately blessed by Grandmaster JinBodhi, imbuing it with extraordinary spiritual power. It is a sacred object for warding off evil and dispelling calamities, as well as an auspicious support for increasing blessings and removing hindrances. May it bring peace, good fortune, and stability to those who are destined to receive it.

Material: brass

Size:10×55 mm (±3%)

Material: Canvas, without frame

Size (Height x Length): 91.4 x 61cm/36 x 24 in

The golden Purification Vase radiates shimmering light, serene and beautiful like the sky at sunset. Gaze closely, and it evokes a vast universe –– boundless and infinite.

A speck holds a world; a single vase contains the cosmos.

Grandmaster JinBodhi's Purification Vase attracts positive energy, gathers wealth, and brings warm hearts together.

Material: Canvas, without frame

Size (Height x Length): 148.6 x 99.1 cm/58.5 x 39 in

The golden Purification Vase radiates shimmering light, serene and beautiful like the sky at sunset. Gaze closely, and it evokes a vast universe –– boundless and infinite.

A speck holds a world; a single vase contains the cosmos.

Grandmaster JinBodhi's Purification Vase attracts positive energy, gathers wealth, and brings warm hearts together.

Material: Ceramic

Specifications: Length 5 x Width 5.7 x Height 10.8cm

This elegant terracotta figure hails from the flourishing Tang Dynasty, portraying a court lady seated gracefully as she plays the "paixiao" (panpipes).

With her hair styled in a high chignon and her hands gently holding the ancient wind instrument, she sits in poised serenity. Her face is full and rounded, features delicately refined, and expression calm yet gently smiling—as if immersed in the music, content and at ease, radiating quiet charm and grace.

The sculpting throughout is exquisite: flowing drapery lines, finely rendered details, and lifelike form together showcase the Tang dynasty's mastery of ceramic artistry and aesthetic sensibility. Though it has withstood the passage of over a thousand years, the piece remains remarkably well-preserved, its spirit and vitality still vividly present—an exceptional work of enduring cultural value.

The paixiao in her hands was a common court instrument in ancient China, symbolizing elegance, music, and the flourishing of ceremonial culture.  
This piece, steeped in the refined atmosphere of Tang palace art, not only reflects the composure and elegance of Tang women, but also conveys auspicious meanings of prosperity, harmony, joy, and well-being—hallmarks of a glorious age.
 

Material: Ceramic

Specifications: Diameter 8.8 x Height 10.7cm

Liao–Song Period (ca. 1000 years ago)

This elegant bottle dates back to the Liao–Song period, with a history spanning nearly a millennium. The body is coated in black-and-white glaze, with rustic and organic motifs. Its form is well-proportioned, featuring a gently constricted neck and flared rim, with flowing lines that exude quiet harmony and rhythm.

Encircling the bottle are three bands, symbolizing the union of Heaven, Earth, and Humanity—a reflection of the traditional cosmological ideal of harmony between the universe and mankind. The central motif is a stylized lotus blossom, rendered in abstract brushwork. Graceful and upright, the lotus represents purity, wisdom, and noble virtue, and in Buddhist thought, it is a sacred emblem of awakening and transcendence.

This treasured vessel has been blessed and empowered by Grandmaster JinBodhi, imbuing it with auspicious energy. It is believed to attract wisdom, virtue, blessings, prosperity, and noble fortune, while harmonizing Feng Shui, warding off negativity, and serving as a protective presence within the home.

Material: Wood

Specifications: Length 11.5 x Width 9 x Height 22cm

The density and weight of the wood are comparable to boxwood, and it exudes a subtle natural fragrance.
Judging by the grain and tightness of the wood, it was carved from timber that had grown for nearly a hundred years—a material of remarkable rarity and value.

The crab is exquisitely carved with lifelike detail, especially on its back, where a "coin-shaped" motif has been intricately inscribed. This symbolizes the "wealth crab", representing money steadily flowing into the basket. Surrounding the crab are sculpted bamboo stalks, further enhancing the auspicious symbolism.

Altogether, the piece conveys a beautiful traditional blessing: abundant fortune steadily accumulating, and continuous success and advancement—“wealth flowing in, and rising step by step.”

Material: Ceramic

Specifications: Diameter 8.6 x Height 5.4cm

Liao Sancai, or "Three-Color Ware of the Liao Dynasty," emerged over a thousand years ago during the Liao and Song periods. Characterized by its use of yellow, green, and brown glazes, it inherited the traditional techniques of Tang Sancai while incorporating the distinctive artistic sensibilities of the Khitan people.

This antique jar, with its considerable age and remarkable preservation, is far more than a simple vessel. It is revered as an auspicious object—believed to gather blessings, prosperity, and harmonious energy, serving not only as a decorative artifact but also as a talisman to balance Feng Shui, ward off misfortune, and protect the home.
 

Material: Ceramic

Specifications: Diameter 9 x Height 6.7cm

Liao Sancai, or "Three-Color Ware of the Liao Dynasty," emerged over a thousand years ago during the Liao and Song periods. Characterized by its use of yellow, green, and brown glazes, it inherited the traditional techniques of Tang Sancai while incorporating the distinctive artistic sensibilities of the Khitan people.

This antique jar, with its considerable age and remarkable preservation, is far more than a simple vessel. It is revered as an auspicious object—believed to gather blessings, prosperity, and harmonious energy, serving not only as a decorative artifact but also as a talisman to balance Feng Shui, ward off misfortune, and protect the home.
 

Material: Sandstone

Size: 4cm long x 2.5cm wide x 6cm high

Early Qing Dynasty, approximately 200 years old.
This refined scholar’s box was crafted from precious Huanghuali wood, a prized material in traditional Chinese furniture-making. Judging by its current hue and weight, the box was made using superior-grade hardwood, joined with classic mortise-and-tenon construction—a hallmark of exceptional craftsmanship.

Designed as an essential item for the traditional scholar’s studio, the box was intended to house an entire set of literati tools: inkstone, brushes, and ink. Compact and elegant, it offered both function and portability, making it ideal for travel or refined desk display.

Beyond its utility, this treasured chest carries auspicious symbolism—it is believed to gather blessings, virtue, wisdom, and talent. May the one who acquires it be upright in conduct, brilliant in learning, abundant in wisdom, and destined for success and honor in all endeavors.

Material: Bamboo

Specifications: Diameter 7.4 x Height 12.8cm

This bamboo brush pot dates back to the Qing Dynasty and is meticulously carved from a single piece of aged bamboo. Selected for its fine quality, the bamboo boasts a smooth texture and a naturally rich patina developed over time.

The carving theme, titled "Plum and Bamboo — The Two Purities", features intertwining plum blossoms and bamboo branches rendered in a combination of low relief and openwork techniques. The plum symbolizes resilience in the face of winter, while the bamboo stands for uprightness and strength—both revered symbols of purity and moral integrity in traditional Chinese literati culture.

Brush pots have long been one of the essential tools of a scholar's studio, admired not only for their elegance but also for their auspicious symbolism. When placed on the desk, they are considered Feng Shui treasures believed to attract wealth, wisdom, virtue, and talent. It is customary to place at least two or three brushes of varying lengths inside, symbolizing the wish for continuous advancement in career and learning—“rising higher with each step.

Material: Gilt-Bronze
Dimensions: H9.5 Seal 7x7 cm (±3%)

This finely cast gilt-bronze seal is of substantial weight and lustrous patina, exuding an air of solidity and refinement. The form is square and well-proportioned, surmounted by a mythical beast finial modeled in the traditional auspicious and protective style.

The double-headed beast is shown recumbent, with bulging eyes, rounded snout, and open jaws revealing sharp teeth, conveying strength and vigilance. Its musculature is full and powerful, the posture commanding and dignified. Flowing manes fall neatly along the nape, while the sides of the spine are adorned with delicately rendered spiral curls—details that bring the creature vividly to life. The overall modeling captures a harmonious balance between motion and stillness.

The seal face is incised in zhuanshu (seal script) Tibetan characters. Based on its form and stylistic features, the piece may be identified as a Tibetan Buddhist–style seal. At the center of the seal face, the Tibetan inscription reads “The Great Precious Dharma King.” The dotted border and wave pattern are characteristic of Qing-period Tibetan gold seals, symbolizing radiating divine power and sacred protection. The triple-bead motif at the top and lotus-petal decoration at the base are common sacred symbols in Tibetan Buddhist art, representing the lotus throne and the wisdom of emptiness.

Thoughtfully conceived and exquisitely executed, this seal exemplifies both spiritual symbolism and artistic craftsmanship. The mythical beast is rendered with vitality and presence, embodying majesty and auspicious power. Serving not only as an official seal but also as a refined scholar’s object, it stands as a rare and distinguished example of Qing-dynasty metalwork—an elegant union of gravitas, vitality, and imperial grace.

材質：瓷
尺寸:直徑24.5x高27cm(±3%)

此件清代青花瓷罐，器形飽滿厚重，通體繪飾兩條五爪蟠龍，昂首躍動於祥雲之間，氣勢磅礴、威儀非凡。五爪龍自明太祖朱元璋起即明令為皇家專用紋飾，象徵帝王至高無上的權威。元明以降，器物上龍紋的數量亦有所規定，每器不逾兩龍，此罐正符其制，體現皇家制度下藝術與權力的完美結合。

罐身下方繪有如意祥雲與「海水江崖」紋飾，波濤洶湧之間夾雜如游魚、奔馬之形，象徵祥瑞萬千，寓意「上天入地、無所不能」，為集納吉祥、祈福納財之意的「聚寶」之器。

青花發色清潤穩定，釉面光澤柔和，構圖動靜相宜，筆法遒勁細膩，展現出明代官窯高超的繪瓷工藝，極具藝術與收藏價值。

罐口覆以一枚錫製蓋口，與器身嚴絲合縫。依據金屬包邊的製作工藝與氧化痕跡判斷，應為清代後期加裝，或因口沿輕微磕損，或為延長實用年限所設，推測其使用歷史已逾130年。此一後期修補不僅體現古人惜器之情，也為此罐增添一層深厚的歷史印記。