Search results for 'Grade A Natural Agate Dzi Bead Bracelet'

Material: agate

Size: main bead length 1.4cm x width 1.7cm, ring circumference 5.9cm

Ancient  Dzi Beads are the treasures from heaven, containing Universal spiritual essence and magnetic energy.Unique, precious and rare!

The naturally formed pattern of the Heaven's Eye represents the most powerful exorcising eye between heaven and earth. It can purify energy, dispel evil spirits, and provide auspicious protection to the wearer.

*These Agate Beads are natural minerals. The colors and patterns vary. Each one of them is second to none. Only place an order if you truly acknowledge and accept such differences.

Material: agate

Size: main bead length 1.6cm x width 1.7cm, ring circumference 5.8cm

Ancient  Dzi Beads are the treasures from heaven, containing Universal spiritual essence and magnetic energy.Unique, precious and rare!

The naturally formed pattern of the Heaven's Eye represents the most powerful exorcising eye between heaven and earth. It can purify energy, dispel evil spirits, and provide auspicious protection to the wearer.

*These Agate Beads are natural minerals. The colors and patterns vary. Each one of them is second to none. Only place an order if you truly acknowledge and accept such differences.

Natural eye pattern.

The symbol of the "Heavenly Eye" represents the most powerful exorcising eye in the universe. It has the ability to purify energy, dispel evil spirits, and grant the wearer auspicious protection.

This rare and precious natural three-eyed dzi bead king pendant has been blessed by generations of great masters of practice and has also received the special blessing of compassionate energy from Grandmaster JinBodhi. It possesses the ability to dispel calamities and bring peace, as well as the power to ward off evil and misfortune.

Those who are fortunate enough to wear it will be protected from all disturbances by demons and evil influences, encounter fortune in adversity, and enjoy peace, health, auspiciousness, and good fortune.

Material: agate + crystal (back)

Dimensions (diameter): Width 3.6cm, Height 4.3cm, Thickness 1.9cm

Material:Clam

Size:14mm

Material:Jade

Size:Width: 11 mm Thickness: 11 mm

Inner diameter: 54.5mm 

Jadeite belongs to the category of hard jade in the world of jade and is known as the "king of jade". "Fei" refers to the color red and "cui" refers to the color green. Although jadeite is called "jadeite", it comes in a wide variety of colors, each with its own unique characteristics.

Regular wearing of jadeite can make it even more translucent, and sometimes even subtle changes can occur in its base color, as if it has been "activated" by being worn. If it is worn constantly and never removed, the jadeite will become even more spiritual and resonate more strongly with the wearer, not only bringing protection from disasters and evil, but also promoting good health, safety, prosperity, and good luck.

Material:Jade

Size:Width: 18 mm Thickness: 8 mm

Inner diameter: 57mm 

Jadeite belongs to the category of hard jade in the world of jade and is known as the "king of jade". "Fei" refers to the color red and "cui" refers to the color green. Although jadeite is called "jadeite", it comes in a wide variety of colors, each with its own unique characteristics.

Regular wearing of jadeite can make it even more translucent, and sometimes even subtle changes can occur in its base color, as if it has been "activated" by being worn. If it is worn constantly and never removed, the jadeite will become even more spiritual and resonate more strongly with the wearer, not only bringing protection from disasters and evil, but also promoting good health, safety, prosperity, and good luck.

Material: Porcelain

Dimensions: H21 x D24.5cm (±3%)

The Longquan kilns, located in Longquan, Zhejiang Province, are among the most renowned producers of celadon in Chinese history. Their wares are celebrated for their jade-like texture and gentle bluish-green glaze, representing the refined craftsmanship of Ming dynasty celadon.

The tripod censer is a common form, typically with a round body, flat rim, or constricted neck, supported by three outward-curving or column-shaped legs, sometimes with upturned “cloud” handles. Such censers were used in religious and ritual contexts, as well as for scholarly and imperial display.

Characteristic features of Ming Longquan celadon include a soft greenish-blue glaze of rich, lustrous quality, with natural crackle patterns and an unglazed footring revealing grayish clay.

This piece also bears traces of ancient repair using the traditional “juzi” (metal staple) technique. These small U-shaped metal clamps were used to mend cracks in ceramics—a testament to the skill and resourcefulness of craftsmen in antiquity.

It is said that this Ming dynasty Longquan celadon tripod censer has been compassionately blessed by Grandmaster JinBodhi. Those who are fortunate to invite it into their home may enjoy purity and fragrance, prosperity for descendants, longevity, virtue, and auspicious enlightenment.

Material: Bamboo

Dimensions: Inner diameter 11 x 13 cm (±3%)

Approx. 250–300 Years Old / Mid to Late Qing Dynasty (18th–19th Century)

This brush pot is meticulously carved from a single section of bamboo, its surface displaying a warm reddish-brown patina acquired over centuries. The design harmoniously integrates poetry, calligraphy, and painting, reflecting the literati ideal of “the Three Perfections.” One side bears a poem finely incised in running script, while the other features a deeply carved landscape scene with figures amid mountains and pines—an elegant fusion of artistic refinement and scholarly spirit.

The landscape carving presents layered mountains, dense pines, and a secluded pavilion shrouded in mist, perfectly echoing the poetic inscription. The carving is fluid and richly detailed, characterized by rhythmic lines and balanced composition, representative of the literati bamboo-carving style of the late Qing period.

Closely resembling the works of renowned mid-Qing bamboo carvers, this piece exemplifies the refined literati brush pot—a classic scholar’s studio object that unites utility and artistry. Combining poetry, calligraphy, and painting, it embodies both aesthetic grace and cultural depth, standing as a rare masterpiece of Qing dynasty bamboo craftsmanship.

Material: Boxwood

Dimensions: Inner diameter 9x16cm

Carved following the natural shape of the wood, this brush pot bears an elegant patina and stylistic features reminiscent of the Yuan dynasty. The lower section depicts a pair of cranes symbolizing purity and longevity, while the upper portion is intricately carved with overlapping layers of pine and cypress trees, representing steadfastness and vitality. The brush pot symbolizes wisdom and scholarly accomplishment, and when placed in the home, it also serves as an auspicious ornament enhancing cultural grace and good fortune.

Material: Jade

Specifications: L12.2cm(±3%)

Carved from fine celadon jade, this staff head has a smooth, lustrous texture and a soft gray-green tone, with areas of natural brown patina that lend it an antique charm. The finial is sculpted in the round as a Jiu Bird, a creature revered in ancient China for its gentle nature and auspicious symbolism. The bird features a slightly hooked beak, round eyes, and a long crest flowing backward from the crown. Its wings lie close to the plump body, and both the feathers and tail are finely incised with delicate lines. The tail curls slightly upward, creating a sense of vitality and grace. A round mortise opening beneath allows it to fit onto the shaft of a staff. Compact and refined, the piece radiates warmth and quiet elegance.

The tradition of the Jiu Bird-topped staff (jiu zhang) originated from the “tooth-staff” (chizhang) system of the Zhou dynasty. The bird-form ornament likely evolved from ancient bird-totem worship. Since the pre-Qin era, such staffs symbolized respect, longevity, and virtuous seniority. By the Han dynasty, they had become marks of imperial favor for elders. The Book of the Later Han – Treatise on Rituals records:

In this context, the Jiu Bird embodies longevity, serenity, and auspicious well-being.

This jade staff head exemplifies the superb craftsmanship of Qing-dynasty jade carving and conveys the traditional Chinese reverence for age and virtue. It stands as an artwork of both artistic refinement and profound cultural significance.

Material: Jade

Specifications: H 11cm(±3%)

In jade carving, “retained skin” refers to preserving the natural outer layer of the original jade stone to enhance its organic beauty.

This exquisite piece is finely carved from a single block of green jade of the Qing Dynasty, distinguished by its smooth and lustrous texture. The Luohan’s serene expression, along with the meticulously detailed elements—such as the prayer beads, straw sandals, and the mountain grotto—demonstrates the artisan’s superb craftsmanship.

Symbolizing purity and wisdom, the work embodies the realm of inner reflection and enlightenment attained through tranquility and cultivation.

This Qing Dynasty Green Jade Luohan Figure with Retained Skin is a rare antique masterpiece of jade carving, rich in historical, artistic, and collectible value—a timeless treasure signifying prosperity and auspiciousness.

Blessed by the compassionate energy of Grandmaster JinBodhi, may those destined to receive this piece enjoy flourishing careers, prosperous families, wise and virtuous descendants, and ever-abundant blessings of wealth and merit through generations.

Material: Bamboo

Dimensions: Inner diameter 6.8 x 15.8 cm

Signed by Du Shushen (Fangjiao Shanren)
Inscribed: “Night Reading at Luling”

The brush pot remains unpainted, preserving the natural warmth and texture of the bamboo. Its surface is finely polished, showcasing exceptional craftsmanship. The entire piece features a bamboo grove rendered in openwork carving, with two to three layers of depth. The intricate composition reveals banana leaves, pavilions, and vividly depicted figures inside a house, portraying a scholar reading by lamplight in an attic—symbolizing success in the imperial examinations and attainment of official rank.

The inscription bears the signature of Du Shushen (Fangjiao Shanren) and the title “Night Reading at Luling.” Brush pots with carved signatures are exceedingly rare, making this a superb example of refined bamboo carving artistry.

Material: Gilded Copper

Dimensions: Approximately 40cm tall

This Amitābha Buddha statue is meticulously hand-cast in red copper with selective gilding, crafted by Nepali artisans following Tibetan Buddhist traditions. It dates from approximately 200 to 350 years ago. The Buddha’s serene and compassionate expression, harmoniously proportioned features, and dignified iconography reflect exceptional artistry and profound religious devotion.

The figure is draped in a flowing monastic robe, with finely detailed straps and naturalistic folds that convey a strong sense of three-dimensionality and movement. The warm, delicate texture of the red copper, along with areas of gilding worn by time and characteristic verdigris, highlights the statue’s age and adds a quietly majestic charm.

The base is reinforced with a metal plate, hammered and riveted—a precise modification made by a later foreign collector. Originally, the statue would have formed part of a complete ensemble, including a lotus pedestal, stūpa-shaped base, halo, and ceremonial umbrella atop the head, symbolizing Amitābha Buddha’s boundless light and compassionate guidance toward the Western Pure Land.

Nepali red-copper Buddha statues have long been treasured in Tibetan Buddhism for their solid, warm-toned material and exquisite craftsmanship. This finely made Amitābha Buddha is a rare and enduring devotional figure of significant artistic and spiritual value.

Material:

Size: 5.8 x 3.5 x 2.4 cm

Approximately 200 years old

This jade belt buckle is exquisitely carved from Hetian white jade, approximately 200 years old. The dragon turns its head while the phoenix follows, symbolizing auspiciousness and prosperity.
Jade belts reached their peak during the Ming Dynasty, and by the Qing Dynasty they gradually became decorative items and symbols of status. This piece served as a luxurious belt accessory for high-ranking Qing officials.
The buckle is composed of interlocking square jade plaques, featuring finely detailed high-relief carving, and a smooth, rounded oval knob, demonstrating meticulous craftsmanship.
Jade belt hooks have a long history, originating from the Liangzhu culture, and reached the artistic pinnacle of decorative and collectible use by the Ming and Qing Dynasties.

This antique jade has received the compassionate blessing of Grandmaster JinBodhi, bringing auspiciousness, protection from misfortune, resolution of difficulties, enhanced inspiration, marital harmony, and family prosperity.