Search results for 'Grade A Natural Agate Dzi Bead Bracelet'

Material: agate

Size: main bead length 1.6cm x width 1.7cm, ring circumference 5.8cm

Ancient  Dzi Beads are the treasures from heaven, containing Universal spiritual essence and magnetic energy.Unique, precious and rare!

The naturally formed pattern of the Heaven's Eye represents the most powerful exorcising eye between heaven and earth. It can purify energy, dispel evil spirits, and provide auspicious protection to the wearer.

*These Agate Beads are natural minerals. The colors and patterns vary. Each one of them is second to none. Only place an order if you truly acknowledge and accept such differences.

Material:Clam

Size:14mm

Material:Dzi Bead

Size: The main bead diameter is about 19mm(±3%)

Material:Jade

Size:Width: 18 mm Thickness: 8 mm

Inner diameter: 57mm 

Jadeite belongs to the category of hard jade in the world of jade and is known as the "king of jade". "Fei" refers to the color red and "cui" refers to the color green. Although jadeite is called "jadeite", it comes in a wide variety of colors, each with its own unique characteristics.

Regular wearing of jadeite can make it even more translucent, and sometimes even subtle changes can occur in its base color, as if it has been "activated" by being worn. If it is worn constantly and never removed, the jadeite will become even more spiritual and resonate more strongly with the wearer, not only bringing protection from disasters and evil, but also promoting good health, safety, prosperity, and good luck.

Material: Wood, Ceramic Dimensions: L 35.3 x W 20.9 x H 9.3 cm (±3%)

This “Ceramic Plaque with Children Motif Display Stand” is crafted from solid, richly toned wood, featuring smooth lines and elegantly curved legs that embody classic Oriental aesthetics. The tabletop is inlaid with a finely detailed ceramic plaque depicting lively children, symbolizing blessings of many descendants, prosperity, and good fortune. With its refined craftsmanship, it serves both functional and decorative purposes—perfect for displaying floral arrangements or treasured objects, adding a touch of timeless elegance to any space.

This stand has been collected for many years by Grandmaster JinBodhi and has received his compassionate blessings. It is intended for those with affinity to receive it, bringing blessings of abundant descendants and fortune, a thriving household, flourishing success, prosperous endeavors, and the fulfillment of one’s wishes.

After placing the order, please contact customer service for additional shipping fees.

Material: brass

Size: 13.5x3cm (±3%)

This piece is an approximately 350-year-old Bronze Nine-strand Vajra Pestle, a sacred ritual implement of profound symbolic significance in Vajrayana Buddhism.
The Vajra Pestle represents indestructible wisdom and power, embodying the ability to subdue negative forces and dispel calamities. It is regarded as an essential support for practitioners, helping them overcome obstacles and remain steadfast on the path of spiritual practice.

The nine strands symbolize completeness and ultimate realization, signifying wisdom that pervades the ten directions and strength that is present everywhere.
Having been consecrated by a great spiritual practitioner, this Vajra Pestle carries an energy that resonates throughout the ten directions, radiating a powerful and pure luminous field that harmonizes the surrounding space and subdues all negative influences.

Receiving the supreme blessing of Grandmaster JinBodhi, may those with the right affinity who respectfully welcome this Vajra Pestle be free from disasters and adversity, transform danger into auspiciousness, and remain untouched by all negative forces. With an unwavering Vajra-like resolve, may they overcome all obstacles and fulfill all their aspirations.

Material:Wood

Size:L 30cm x W 16.5cm x H 18cm (±3%)

This teapot is meticulously crafted from precious fragrant Phoebe (Xiaonan) wood, whose fine grain and subtle aroma have been enriched by decades of natural aging, giving it a warm, smooth texture and a serene, noble presence.
It was personally named “Golden Dragon Treasure Teapot” by Grandmaster Jin Bodhi, symbolizing auspicious protection, abundant wealth, and the flourishing power of the dragon.

Having matured for over twenty years, the vessel now displays a rich, lustrous patina, with delicate wood patterns that shimmer in the light.
Each photograph reveals a radiant golden glow, as if a golden dragon coils upon the surface, filling the space with auspicious energy.

Combining spiritual significance, rare material, and the beauty of time, this is a remarkable heirloom teapot and a true collector’s treasure.

Material: Porcelain

Dimensions: H21 x D24.5cm (±3%)

The Longquan kilns, located in Longquan, Zhejiang Province, are among the most renowned producers of celadon in Chinese history. Their wares are celebrated for their jade-like texture and gentle bluish-green glaze, representing the refined craftsmanship of Ming dynasty celadon.

The tripod censer is a common form, typically with a round body, flat rim, or constricted neck, supported by three outward-curving or column-shaped legs, sometimes with upturned “cloud” handles. Such censers were used in religious and ritual contexts, as well as for scholarly and imperial display.

Characteristic features of Ming Longquan celadon include a soft greenish-blue glaze of rich, lustrous quality, with natural crackle patterns and an unglazed footring revealing grayish clay.

This piece also bears traces of ancient repair using the traditional “juzi” (metal staple) technique. These small U-shaped metal clamps were used to mend cracks in ceramics—a testament to the skill and resourcefulness of craftsmen in antiquity.

It is said that this Ming dynasty Longquan celadon tripod censer has been compassionately blessed by Grandmaster JinBodhi. Those who are fortunate to invite it into their home may enjoy purity and fragrance, prosperity for descendants, longevity, virtue, and auspicious enlightenment.

Material: Bamboo

Dimensions: Inner diameter 11 x 13 cm (±3%)

Approx. 250–300 Years Old / Mid to Late Qing Dynasty (18th–19th Century)

This brush pot is meticulously carved from a single section of bamboo, its surface displaying a warm reddish-brown patina acquired over centuries. The design harmoniously integrates poetry, calligraphy, and painting, reflecting the literati ideal of “the Three Perfections.” One side bears a poem finely incised in running script, while the other features a deeply carved landscape scene with figures amid mountains and pines—an elegant fusion of artistic refinement and scholarly spirit.

The landscape carving presents layered mountains, dense pines, and a secluded pavilion shrouded in mist, perfectly echoing the poetic inscription. The carving is fluid and richly detailed, characterized by rhythmic lines and balanced composition, representative of the literati bamboo-carving style of the late Qing period.

Closely resembling the works of renowned mid-Qing bamboo carvers, this piece exemplifies the refined literati brush pot—a classic scholar’s studio object that unites utility and artistry. Combining poetry, calligraphy, and painting, it embodies both aesthetic grace and cultural depth, standing as a rare masterpiece of Qing dynasty bamboo craftsmanship.

Material: Boxwood

Dimensions: Inner diameter 9x16cm

Carved following the natural shape of the wood, this brush pot bears an elegant patina and stylistic features reminiscent of the Yuan dynasty. The lower section depicts a pair of cranes symbolizing purity and longevity, while the upper portion is intricately carved with overlapping layers of pine and cypress trees, representing steadfastness and vitality. The brush pot symbolizes wisdom and scholarly accomplishment, and when placed in the home, it also serves as an auspicious ornament enhancing cultural grace and good fortune.

Material: Jade

Specifications: L12.2cm(±3%)

Carved from fine celadon jade, this staff head has a smooth, lustrous texture and a soft gray-green tone, with areas of natural brown patina that lend it an antique charm. The finial is sculpted in the round as a Jiu Bird, a creature revered in ancient China for its gentle nature and auspicious symbolism. The bird features a slightly hooked beak, round eyes, and a long crest flowing backward from the crown. Its wings lie close to the plump body, and both the feathers and tail are finely incised with delicate lines. The tail curls slightly upward, creating a sense of vitality and grace. A round mortise opening beneath allows it to fit onto the shaft of a staff. Compact and refined, the piece radiates warmth and quiet elegance.

The tradition of the Jiu Bird-topped staff (jiu zhang) originated from the “tooth-staff” (chizhang) system of the Zhou dynasty. The bird-form ornament likely evolved from ancient bird-totem worship. Since the pre-Qin era, such staffs symbolized respect, longevity, and virtuous seniority. By the Han dynasty, they had become marks of imperial favor for elders. The Book of the Later Han – Treatise on Rituals records:

In this context, the Jiu Bird embodies longevity, serenity, and auspicious well-being.

This jade staff head exemplifies the superb craftsmanship of Qing-dynasty jade carving and conveys the traditional Chinese reverence for age and virtue. It stands as an artwork of both artistic refinement and profound cultural significance.

Material: Bamboo

Dimensions: Inner diameter 6.8 x 15.8 cm

Signed by Du Shushen (Fangjiao Shanren)
Inscribed: “Night Reading at Luling”

The brush pot remains unpainted, preserving the natural warmth and texture of the bamboo. Its surface is finely polished, showcasing exceptional craftsmanship. The entire piece features a bamboo grove rendered in openwork carving, with two to three layers of depth. The intricate composition reveals banana leaves, pavilions, and vividly depicted figures inside a house, portraying a scholar reading by lamplight in an attic—symbolizing success in the imperial examinations and attainment of official rank.

The inscription bears the signature of Du Shushen (Fangjiao Shanren) and the title “Night Reading at Luling.” Brush pots with carved signatures are exceedingly rare, making this a superb example of refined bamboo carving artistry.

Material: Gilt-Bronze
Dimensions: H9.5 Seal 7x7 cm (±3%)

This finely cast gilt-bronze seal is of substantial weight and lustrous patina, exuding an air of solidity and refinement. The form is square and well-proportioned, surmounted by a mythical beast finial modeled in the traditional auspicious and protective style.

The double-headed beast is shown recumbent, with bulging eyes, rounded snout, and open jaws revealing sharp teeth, conveying strength and vigilance. Its musculature is full and powerful, the posture commanding and dignified. Flowing manes fall neatly along the nape, while the sides of the spine are adorned with delicately rendered spiral curls—details that bring the creature vividly to life. The overall modeling captures a harmonious balance between motion and stillness.

The seal face is incised in zhuanshu (seal script) Tibetan characters. Based on its form and stylistic features, the piece may be identified as a Tibetan Buddhist–style seal. At the center of the seal face, the Tibetan inscription reads “The Great Precious Dharma King.” The dotted border and wave pattern are characteristic of Qing-period Tibetan gold seals, symbolizing radiating divine power and sacred protection. The triple-bead motif at the top and lotus-petal decoration at the base are common sacred symbols in Tibetan Buddhist art, representing the lotus throne and the wisdom of emptiness.

Thoughtfully conceived and exquisitely executed, this seal exemplifies both spiritual symbolism and artistic craftsmanship. The mythical beast is rendered with vitality and presence, embodying majesty and auspicious power. Serving not only as an official seal but also as a refined scholar’s object, it stands as a rare and distinguished example of Qing-dynasty metalwork—an elegant union of gravitas, vitality, and imperial grace.

材質：瓷
尺寸:直徑24.5x高27cm(±3%)

此件清代青花瓷罐，器形飽滿厚重，通體繪飾兩條五爪蟠龍，昂首躍動於祥雲之間，氣勢磅礴、威儀非凡。五爪龍自明太祖朱元璋起即明令為皇家專用紋飾，象徵帝王至高無上的權威。元明以降，器物上龍紋的數量亦有所規定，每器不逾兩龍，此罐正符其制，體現皇家制度下藝術與權力的完美結合。

罐身下方繪有如意祥雲與「海水江崖」紋飾，波濤洶湧之間夾雜如游魚、奔馬之形，象徵祥瑞萬千，寓意「上天入地、無所不能」，為集納吉祥、祈福納財之意的「聚寶」之器。

青花發色清潤穩定，釉面光澤柔和，構圖動靜相宜，筆法遒勁細膩，展現出明代官窯高超的繪瓷工藝，極具藝術與收藏價值。

罐口覆以一枚錫製蓋口，與器身嚴絲合縫。依據金屬包邊的製作工藝與氧化痕跡判斷，應為清代後期加裝，或因口沿輕微磕損，或為延長實用年限所設，推測其使用歷史已逾130年。此一後期修補不僅體現古人惜器之情，也為此罐增添一層深厚的歷史印記。