Treasure Trove

材質：瓷
尺寸:長 30x寬 11x高 33cm(±3%)

火龍、擋煞避邪

麒麟，自古尊為「龍之長子」，象徵祥瑞與榮貴。在古籍《麒麟圖書》中記載，麒麟具備「奔走、飛翔、吐火、控水、智慧」五大神能，為上天入地皆可行之五項全能神獸，為百獸之尊。

在帝制時代，唯皇太子方可被稱為「麟兒」，麒麟因此也成為皇權血脈的象徵。僅皇室、極高階大廟才得以使用麒麟形象，一般百姓及低階官員，無權擁有。

民間更傳信仰：「家中供奉麒麟，必能生貴子、興家運。」意指後代能有大作為，出人頭地、飛黃騰達，成為「一人之下，萬人之上」之人物。

本件麒麟陶瓷擺件出自明代，氣韻莊嚴、製作精巧，工藝罕見。

寓意鎮宅納福、添貴增祥、富貴延綿，尤適合用作傳家重器、穩固基業、庇蔭後嗣之寶。

Material: zisha

Size: D6.8xH5.8cm

This is a Zhuni clay cup that has been treasured by Grandmaster JinBodhi for many years. Exquisitely crafted, it bears the base mark "Made by Tie Hua Xuan", and was carved by the owner of Tie Hua Xuan over a century ago.

Tie Hua Xuan was a company established in Shanghai in the second year of the Republic of China (1913), specializing in Yixing pottery. Its founder, Dai Guobao, was a renowned porcelain artisan. He used iron pens with embedded diamond tips to engrave landscapes, flowers, the Three Stars (Fu, Lu, Shou), and elegant ladies onto porcelain. His works are vivid and lifelike, blending ancient simplicity with refined elegance—bold like iron strokes, yet graceful like silver hooks. As his business flourished, he made porcelain carving his lifelong profession, and the name "Tie Hua Xuan" was born.

With the compassionate blessing of Grandmaster JinBodhi, this cup has become a rare and powerful feng shui treasure. Those with the karmic affinity to receive it will enjoy great wealth and auspiciousness.

Material:Jade

Size: 5 cm (W) × 5.5 cm (H)

This jadeite Guanyin pendant depicts the Great Compassionate Avalokiteshvara Bodhisattva, who vows to protect all beings from the Seven Dangers: fire, water, swords, wind, ghosts, imprisonment, and thieves.

Blessed by Grandmaster JinBodhi, this pendant is a sacred amulet for dispelling misfortune. Those who are fortunate enough to wear it receive the compassionate protection of Avalokiteshvara, which can ward off evil, safeguard the body, attract blessings, and transform one’s destiny. It brings peace of mind, safety, prosperity, and the fulfillment of both merit and wisdom.

Material: Porcelain

Size: Diameter 31.5 x Height 37.4cm(±3%)

There are traces of repairs

Material:porcelain

Size: W44xH17.5cm

This Blue-and-White Porcelain Treasure Vase features an elegant design. It can serve not only as a vase or a container for calligraphy and paintings, but also as a Feng Shui enhancer—helping to attract good fortune, ward off negative energy, and harmonize the home environment.

Treasured by Grandmaster JinBodhi for many years and personally named “Blooming Flowers Bring Prosperity”, it carries profound blessings. May those with the affinity to invite and enshrine it receive wealth and prosperity, success in their careers, talented descendants, and a thriving family.

Combining artistic beauty, auspicious symbolism, and extraordinary spiritual blessings, this vase adds elegance and auspicious energy to any home or study.

Material:Dzi Bead

Size: The main bead diameter is about 19mm(±3%)

Material:wood

Size: 6-6.5mm

Material: Wood, Ceramic Dimensions: L 35.3 x W 20.9 x H 9.3 cm (±3%)

This “Ceramic Plaque with Children Motif Display Stand” is crafted from solid, richly toned wood, featuring smooth lines and elegantly curved legs that embody classic Oriental aesthetics. The tabletop is inlaid with a finely detailed ceramic plaque depicting lively children, symbolizing blessings of many descendants, prosperity, and good fortune. With its refined craftsmanship, it serves both functional and decorative purposes—perfect for displaying floral arrangements or treasured objects, adding a touch of timeless elegance to any space.

This stand has been collected for many years by Grandmaster JinBodhi and has received his compassionate blessings. It is intended for those with affinity to receive it, bringing blessings of abundant descendants and fortune, a thriving household, flourishing success, prosperous endeavors, and the fulfillment of one’s wishes.

After placing the order, please contact customer service for additional shipping fees.

材質：

尺寸：mm

Material: Porcelain

Dimensions: H21 x D24.5cm (±3%)

The Longquan kilns, located in Longquan, Zhejiang Province, are among the most renowned producers of celadon in Chinese history. Their wares are celebrated for their jade-like texture and gentle bluish-green glaze, representing the refined craftsmanship of Ming dynasty celadon.

The tripod censer is a common form, typically with a round body, flat rim, or constricted neck, supported by three outward-curving or column-shaped legs, sometimes with upturned “cloud” handles. Such censers were used in religious and ritual contexts, as well as for scholarly and imperial display.

Characteristic features of Ming Longquan celadon include a soft greenish-blue glaze of rich, lustrous quality, with natural crackle patterns and an unglazed footring revealing grayish clay.

This piece also bears traces of ancient repair using the traditional “juzi” (metal staple) technique. These small U-shaped metal clamps were used to mend cracks in ceramics—a testament to the skill and resourcefulness of craftsmen in antiquity.

It is said that this Ming dynasty Longquan celadon tripod censer has been compassionately blessed by Grandmaster JinBodhi. Those who are fortunate to invite it into their home may enjoy purity and fragrance, prosperity for descendants, longevity, virtue, and auspicious enlightenment.

Material: Bamboo

Dimensions: Inner diameter 11 x 13 cm (±3%)

Approx. 250–300 Years Old / Mid to Late Qing Dynasty (18th–19th Century)

This brush pot is meticulously carved from a single section of bamboo, its surface displaying a warm reddish-brown patina acquired over centuries. The design harmoniously integrates poetry, calligraphy, and painting, reflecting the literati ideal of “the Three Perfections.” One side bears a poem finely incised in running script, while the other features a deeply carved landscape scene with figures amid mountains and pines—an elegant fusion of artistic refinement and scholarly spirit.

The landscape carving presents layered mountains, dense pines, and a secluded pavilion shrouded in mist, perfectly echoing the poetic inscription. The carving is fluid and richly detailed, characterized by rhythmic lines and balanced composition, representative of the literati bamboo-carving style of the late Qing period.

Closely resembling the works of renowned mid-Qing bamboo carvers, this piece exemplifies the refined literati brush pot—a classic scholar’s studio object that unites utility and artistry. Combining poetry, calligraphy, and painting, it embodies both aesthetic grace and cultural depth, standing as a rare masterpiece of Qing dynasty bamboo craftsmanship.